LITERARY CRITIC DANIEL OSIECK INTERVIEWS LULA FALCÃO

General information:
Vultures in the Living Room is now available internationally
ISBN-10 ‏ : ‎ 1087881447
ISBN-13 ‏ : ‎ 978-1087881447
For a copy, please email: casafortepress@gmail.com
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ISBN #9781087881447

VULTURES IN THE LIVING ROOM, BY LULA FALCÃO

PRESS RELEASE: Daniel Osieck interviews Lula Falcão live May 5 2021

Falcão spoke with Brazilian literary critic Daniel Osiecki during his weekly Viva Literatura program about the very moment he thought he’d become a writer: it was in 1964, when news arrived of the military coup, which forced his father to immediately strike a match and set the entire family library on fire. Book-lovers, intellectuals, artists, students, became enemies of the state.

“From Lenin to (Pope) John XXII, we burned everything,” said Falcão, describing his father’s attempt to save his own neck in the days following the coup. “My father was an Atheist but he loved John XXIII,” he added. A Communist and intellectual, Falcão said his father was a voracious reader of Russian literature, sharing his devotion early on with his son.

Disappearing for six months into the mythical Sertão, the semi-arid Brazilian outback, his father later re-emerged to a country ravaged by the ultra-nationalist, U.S.-backed regime. The “Lead Years” ensued, and echoes of the torture chambers resonated through every corner, a dark, overhanging cloud of horror became stationary for many years to come. That eeriness, against a backdrop of our paradisiacal tropics, has given birth to this very contemporary narrative we associate with Falcão.

Lula is a newspaperman, a product of clacking and chaos of the Diario de Pernambuco newsroom, as he told his host. Having been there, I can attest it was like stepping into a film noir classic, where most of the editorial decisions were negotiated at the seedy downstairs bar. He opened up about his circadian, extra-curricular activities during the military dictatorship: “In the daytime I was a newspaperman, but I was also working for the “movement” clandestinely.”

Here are some translated quotes from the interview:

“I place my characters in completely absurd situations from the standpoint of physics, they traffic through a disturbed natural landscape.”

“I have no ritual and I try to have an undisciplined approach. In the old days, I used to think that I could only write if I heard newsroom noises, those newsroom noises were something phenomenal, I began noticing that I was distancing myself from journalism when those noises began disappearing. And as I left the noise of the newsrooms, the noise also left the newsrooms. Today newsrooms sound like intensive care units, incredibly quiet… in the old days we would shout, smoke… even when computers arrived, but suddenly, newsrooms became smaller, more quiet…”

“ I don’t try to be fantastical in my stories. They are stories sometimes set in a dystopian environment, sometimes in a distorted in environment, sometimes in an environment that seems apparently normal…our reality now shows that anything could happen, may happen, could have happened.”

Lula Falcão-another Brazilian author on Bolsonaro’s Security list

“A Ionesco of the Tropics.” That is how a scholar recently described the daring work of Lula Falcão whose biting narrative pushes stylistic boundaries, reorganizes established norms in physics, throwing Brazil into a chaos theory once never imaginable. Until now. Is tragedy really a form of comedy? Or vice-versa? Is reality a form of dystopia? This collection of stories is a masterful introduction to the modern Brazil, a nation recently disgraced by a recalcitrant fascistic ideology that tries to ingratiate itself with foreign superpowers at the risk of becoming a laughing stock. Is it funny? Yes it is, and Falcão’s sarcasm allows us some sense of normalcy.

This book is now available at Casa forte press.com

https://atomic-temporary-149361812.wpcomstaging.com/2018/09/20/about-lula-falcao/

For advance copies, pls contact casafortepress@gmail.com

We are working on worldwide distribution

Lula Falcāo is a veteran Brazilian journalist and political activist whose work can be found in some of Brazil’s top national publications such as O Globo, Veja Magazine and the Estado de São Paulo. Born and raised in Brazil’s northeast region, Lula now lives in São Paulo where he has published numerous short stories and two books: “Iberê Segundo Paulo” and “Todo Dia Me Atiro do Térreo.” He is the co-author of Frevo-100 Years. Lula is known and respected in Brazil’s intellectual circles for his incisive wit and cultural breadth of knowledge, his self-effacing humor and his advocacy.